Over the past two weeks we’ve explored forScore’s metronome, from the basics like setting the time signature and BPM values, to more specialized features like count in and autoturn.
All of these functions are great, but the best part is that once you’ve set them up, you can use them all without even opening the metronome panel. As we discussed in some of last year’s Feature of the Week articles, you can use special gestures, a Bluetooth device, or a MIDI device to toggle the metronome. Whichever mode you used most recently—audible, visible, or both—is activated with just one quick action.
You can also use Buttons to toggle the metronome, but they’re even more powerful than gestures or shortcuts because they can also be used to adjust the metronome’s BPM partway through a score. If you haven’t had a chance to check them out yet, you can read all about them here.
And finally, wrapping up our grand tour of the Metronome, we take a moment to discuss those sound effects. Let’s face it, they’re just not for everyone—no one set of sounds could be—and if that’s you, then be sure to check out the “Accessibility” feature of forScore’s settings panel. There, you can replace the two default sounds with two WAV files of your choosing—just add them to your forScore library first via iTunes’ File Sharing panel and they’ll be available in that menu.
So that concludes our journey through the various features of forScore’s metronome. We hope you enjoyed it and perhaps learned something new, and we’ll be back next week with something completely different!
Last week we took a look at the most basic functions of forScore’s built-in metronome. We discussed its various modes and the essential time signature and BPM values. Be sure to check it out if you haven’t had a chance to yet.
Just below the metronome’s center dial, two other settings may be of use to you: autoturn and count in. Both of these settings have a value and a toggle button (a blue border and blue text when it’s disabled, and a solid blue color with white text when it’s enabled). Autoturn turns the page for you automatically once the metronome reaches a certain number of beats or measures. Count in plays the metronome for just as long as you need it to, then shuts off automatically. Just like the time signature and BPM values, Count In is saved automatically per score so you only need to set it once. Autoturn values are also saved automatically, per page instead of per score since the number of beats per page may vary.
When you’re using an auxiliary audio output (headphones, a receiver, or wireless speakers), an icon will show up just above the top of the dial in the metronome panel. This control lets you choose whether to play the metronome out of the left channel only, the right channel only, or both channels. Tap it to toggle between these three modes.
That completes our discussion of the metronome panel and its various controls, but there’s more to come—next week we’ll be talking a little bit about the various features of the metronome that you won’t find in the metronome panel itself, so stay tuned!
Today we take a moment to discuss that trusty timekeeper, the metronome. Although there are many versions out there for you to try, both physical and digital, we built one right into forScore so you don’t have to leave your music to use one. It’s accurate (trust us—we went through a lot of takes to find the impeccable iteration you see today) and there’s a lot more to it than you may notice at a glance, but for now we’ll stick with the basics.
The metronome’s most important value is the BPM, or Beats Per Minute. This value is shown in the top right-hand corner of the screen, and you can change it one of three different ways: tap the BPM value in the corner to type in a new one, slide the circular dial around, or tap twice in the center of the panel to set it by the timing of your taps. The BPM value is saved automatically for each item in your library, so you only need to set it once and it’ll adjust as needed.
In the top right-hand corner of the screen, you’ll find the time signature. Tap here to change it by picking from a few common values or by typing in a new one (use the “/” key in the keypad to move from the top of the time signature to bottom). This is also saved automatically per score or bookmark, so you just need to set it once for each of your scores.
And, of course, right at the bottom of the screen, you can use the segmented control to turn the metronome’s various modes on and off. The “audible” mode uses sounds to guide you, with a “tick” upbeat and a “tock” downbeat. The “visible” mode flashes a black border around the page so you can see the timing instead. Use “both” to play sounds and flash the border simultaneously.
That’s just the start, though, so be sure to check back next week and onward as we continue this series and explore forScore’s modestly monochromatic metronome.
Although you can customize them and create your own, forScore includes several drawing presets and a wide range of stamps by default. If you ever accidentally make a permanent change and want to reset them all back to their original state, you can do so by visiting forScore’s settings panel. Right at the bottom, tap “Reset” and choose to reset either stamps or drawing presets. Keep in mind that this will undo any changes you’ve made, removing any custom stamps or drawing presets you may have created.
As your setlists get longer, rearranging items can get a little more cumbersome. Since any item you add to a setlist is automatically appended to the end of the list, moving it up to (or near) the top can take a little longer than smaller adjustments.
If you tap the Edit button and select your item, however, you’ll see an option called “move” which lets you instantly relocate that item to either the top or the bottom of your setlist. It also works with multiple items so you can select a few, tap that move button, and put them all in the right place. Even if you need to move them around a little more from there, this feature can definitely save you some time.
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